The Sonic Innovations and Influences of Sterling Morrison

Sterling Morrison

Born on this day August 29, 1942 in East Meadow, New York, Sterling Morrison was a pivotal figure in the rock and roll world, known for his innovative use of the electric guitar and bass guitar. As a founding member of the Velvet Underground, Morrison’s unique approach to his instruments played a significant role in defining the band’s experimental sound, which heavily influenced the development of punk rock and new wave music.

Morrison’s skills on the electric guitar were nothing short of revolutionary. He was known for his distinctive playing style, characterized by a blend of rhythm and lead playing. His approach flattened traditional hierarchies within rock music, creating a more democratic sound that was both innovative and influential. This unique style allowed him to weave complex melodies while maintaining the rhythm section’s stability, contributing immensely to the Velvet Underground’s iconic sound.

In addition to his work on the electric guitar, Sterling Morrison also made significant contributions with the bass guitar. His use of drone strings and open tuning techniques helped to create a rich sonic texture that was previously unheard of in rock music. This innovative use of the bass guitar expanded its role beyond the rhythm section, enabling it to function as both a melodic and harmonic instrument.

Sterling Morrison’s innovations have had a profound influence on subsequent generations of musicians. His disregard for traditional roles within a band and his innovative use of his instruments have inspired countless artists across various genres. Today, his legacy lives on, continuing to inspire musicians worldwide with his groundbreaking approach to the electric guitar and bass guitar.

The song “Heroin,” written by Lou Reed in 1964, features the spellbinding interaction between both Sterling Morrison on rhythm guitar and Lou Reed on lead guitar. John Cale plays electric viola on the song with Maureen Tucker on percussion. It was released in 1967 on the album The Velvet Underground & Nico.

Curated by Jennifer