Category: Film

Theo Angelopoulos: History, Memory & the Poetry of Cinema

Few filmmakers made history feel as physical as Theo Angelopoulos. In his films, the past does not remain safely behind the characters. It drifts through misty landscapes, follows people across borders, interrupts journeys, reshapes families, and sometimes seems to occupy the same space as the present. Born in Athens on April 27, 1935, Angelopoulos became …

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Hayley Mills: From Pollyanna to The Parent Trap

Born in London on April 18, 1946, Hayley Mills became one of the most recognizable young movie stars of the 1960s. With her bright, natural screen presence and an ability to move easily between comedy, adventure, and drama, she became closely associated with a remarkable run of Walt Disney live-action films while also building a …

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Soviet Film Wednesday: A Rainy Story

Inspired after seeing this on Soviet Visuals and Folklore Film Fest‘s #SovietFilmWednesday, this was the first Soviet film I shared a little over four years ago, and it is still one of my favorites. What can I say, I love rain and cats, and the illustrations are beautiful, so this seemed like the perfect starting place for …

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Jean-Paul Belmondo: New Wave Rebel & Action Hero

Jean-Paul Belmondo did not look like the polished movie star French cinema was supposed to produce. His nose had been broken during his years as a boxer. His smile could turn from charming to mischievous in an instant. He slouched, smoked, joked, ran through streets, climbed buildings, threw punches, flirted with danger, and seemed permanently …

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Andrei Tarkovsky: Sculpting Time Through Cinema

Rain falls across an empty landscape. Water drips through the ruins of a building. Wind moves suddenly through a field of grass. A horse wanders into view. Fire burns slowly while someone watches in silence. A childhood memory appears without warning and then disappears again. In the films of Andrei Tarkovsky, moments like these can …

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Akira Kurosawa: Samurai, Humanism & the Art of Cinema

“I can’t afford to hate anyone. I don’t have that kind of time.” -Akira Kurosawa Rain pours through a ruined gate. Seven warriors stand against an approaching band of horsemen. A dying bureaucrat sits alone on a playground swing. A samurai waits calmly while two rival gangs destroy one another. A wealthy executive looks down …

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Éric Rohmer: Desire, Conversation & the French New Wave

A man meets a woman. He talks to her. Then he talks some more. He explains what he believes, what he wants, what he intends to do, and why his behavior is completely reasonable. The longer he speaks, the clearer it becomes that he may understand himself far less than he thinks. That deceptively simple …

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Pier Paolo Pasolini: Poetry, Cinema & the Contradictions of Modern Italy

Pier Paolo Pasolini never seemed interested in making life easier for his audience, his critics, his political allies, or himself. He was a poet who became a novelist, a novelist who became a filmmaker, a Marxist who remained fascinated by Christianity, an atheist who made one of cinema’s most moving films about Christ, and an …

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Shigeru Umebayashi: The Music Behind In the Mood for Love

Some film music announces itself with enormous orchestras, booming percussion, and melodies designed to tell an audience exactly what to feel. Shigeru Umebayashi often takes the opposite approach. A few strings, a slow waltz, a repeated phrase, or a melody that seems to circle endlessly around an unresolved emotion can become more powerful than an …

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François Truffaut: The Critic Who Helped Reinvent Cinema

Before François Truffaut became one of the directors who changed cinema, he was the young man sitting in the dark watching everyone else’s films. Movies offered him something childhood often had not: escape, companionship, excitement, and a world that seemed larger than the difficult streets and apartments of postwar Paris. Eventually, watching movies was not …

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