Category: Art

Loren MacIver: Light, Color & the Poetry of Everyday Things

A skylight, a fire escape, votive candles, flowers, the glow of a city after dark, or the fleeting reflection of light on an ordinary surface could become something mysterious in the hands of Loren MacIver. She did not need monumental subjects to make memorable paintings. Instead, she looked carefully at the small experiences most people …

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Patrick Heron: Color, Cornwall & the Shape of Abstraction

Patrick Heron believed color could do more than decorate a painting. Color could create space, generate movement, alter the apparent size of a shape, and even change the way a viewer experienced the world beyond the canvas. Across a career that moved from recognizable interiors and harbor views to stripes, floating forms, irregular discs, luminous …

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Marcel Broodthaers: Poetry, Mussels & the Museum as Art

Marcel Broodthaers spent years trying to make a life through poetry. Then, at the age of forty, he took copies of one of his unsold poetry books, embedded them in plaster, and transformed the failure to sell literature into the beginning of an art career. It was an appropriately paradoxical entrance for an artist who …

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Robert Motherwell: Elegies, Collage & the Intellectual Side of Abstract Expressionism

Robert Motherwell could make a painting feel monumental with remarkably little. A few enormous black forms against white might evoke mourning, imprisonment, architecture, bodies, or a procession moving across the canvas. A torn piece of cigarette packaging could become the center of a collage. A charcoal rectangle floating inside a field of ochre could open …

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Belkis Ayón: Sikán, Collography & the Silent World of Abakuá

Belkis Ayón filled enormous sheets of paper with figures who stare directly at us but cannot speak. Their eyes are wide and penetrating, their mouths absent, their bodies surrounded by scales, fish, serpents, crosses, plants, ritual objects, and dense surfaces of black, white, and gray. The images can feel ancient and startlingly contemporary at the …

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Jean-Paul Vroom: Printmaking, Ballet & the Art Between Worlds

Jean-Paul Vroom never seemed interested in remaining inside one artistic category. He engraved books in Paris, painted and made prints, designed typography, photographed people and landscapes, experimented with film, worked as an art director for cinema, and created sets and costumes for some of the most enduring ballets of Dutch choreographer Hans van Manen. Even …

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Lee Bontecou: Black Holes, Machines & the Dark Side of the Space Age

Lee Bontecou made sculptures that seem to stare back. From a wall of patched canvas and welded steel, a black opening pushes toward the viewer. It might be the mouth of a machine, the lens of a camera, the barrel of a weapon, an eye, a wound, a cave, or a hole leading somewhere beyond …

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The Stardust Lens of Cecil Beaton

Cecil Beaton could make a room look more glamorous than it really was, turn a movie costume into fashion history, transform a royal portrait into modern mythology, and photograph a bomb-injured child with a directness almost impossible to reconcile with the extravagant society pictures that first made him famous. Few creative careers contain such dramatic …

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André Masson: Automatism, Violence & the Unconscious in Surrealist Art

André Masson wanted to make art before conscious thought had time to interfere. He drew rapidly, allowing the pen to wander across paper until figures unexpectedly emerged from tangles of lines. He poured glue onto canvas, threw sand across the wet surface, brushed away what did not stick, and then followed the accidental forms that …

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Norbert Schwontkowski: Strange Landscapes, Cosmic Loneliness & Dark Humor

A lone figure stands beneath an enormous sky. A road disappears toward nowhere. A building looks familiar until something about its proportions begins to feel wrong. A man confronts an absurd situation with no obvious explanation. Somewhere between melancholy and comedy, an ordinary landscape quietly slips into another reality. That uncertain territory belonged to Norbert …

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