Comet Atomic

Author's posts

Roy DeCarava: Harlem, Jazz & the Poetry of Light

Roy DeCarava could find an extraordinary photograph in a hallway, on a subway staircase, inside a dim jazz club, or on an ordinary Harlem street. His pictures rarely shout for attention. Instead, they draw the viewer slowly into deep shadows, subtle expressions, and moments that might have vanished unnoticed if DeCarava had not been there …

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Yreina Cervántez: Murals, Printmaking & Chicana Visual Culture

Yreina Cervántez builds images in layers. Faces appear beside ancient symbols, fragments of text cross bodies and landscapes, contemporary political imagery meets Mesoamerican visual traditions, and women occupy the center of compositions that ask viewers to think about history, identity, memory, migration, and power. Whether working on a sheet of paper or across an enormous …

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Robert Singletary: Chesapeake Bay, Weather & the Poetry of Patient Drawing

Robert Singletary could turn weather into a subject all its own. Snow falls so thickly that the landscape nearly vanishes. Fog dissolves the boundary between water and sky. Rain, clouds, moonlight, and darkness transform familiar stretches of the Chesapeake Bay into places that seem suspended between observation and memory. Born in Bloomington, Illinois, in 1945, …

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Kenneth McGowan: Color Photography, Hollywood Illusion & the Artificial Landscape

Kenneth McGowan photographed places where reality was supposed to look artificial and artificial things were designed to pass for reality. Movie sets, fake trees, masks, studio backlots, amusement attractions, stuffed Pink Panthers, and fragments of Hollywood spectacle became subjects for a photographer fascinated by the visual strangeness of Southern California. Born in Ogden, Utah, in …

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Bob Moore: The Bass Behind the Nashville Sound

You can hear Bob Moore on some of the most recognizable recordings ever made in Nashville, even if you have never heard his name. His upright bass anchors Patsy Cline’s “Crazy,” Roger Miller’s “King of the Road,” Marty Robbins’s “El Paso,” Elvis Presley’s “It’s Now or Never,” Loretta Lynn’s “Coal Miner’s Daughter,” and an extraordinary …

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Visionary Perspectives: A Visual Odyssey with Photographer Robert D’Alessandro

Robert D’Alessandro found one of his most enduring subjects almost everywhere he looked: hanging from houses, painted across clothing, attached to cars, displayed outside businesses, carried by individuals, and woven into the visual fabric of American life. The subject was the American flag, a symbol so familiar that it could easily disappear into the background …

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Evald Okas: Painting, Printmaking & Seven Decades of Estonian Art

Evald Okas seemed unwilling to settle into a single way of making art. He painted portraits, nudes, city scenes, industrial landscapes, historical compositions, and monumental murals. He worked in etching, drypoint, lithography, book illustration, and ex libris design. He traveled whenever circumstances allowed, filling his work with impressions of Paris, Italy, Japan, the Netherlands, and …

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Dawoud Bey: Portraiture, Harlem & the Photography of Black American Life

Dawoud Bey has spent more than five decades asking deceptively simple questions about photography. Who gets pictured? Who gets to control the way they are seen? What happens when a camera treats an ordinary person with the same seriousness traditionally reserved for celebrities, politicians, and historical figures? And can a photograph make a history visible …

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Eduard Ole: Cubism, Art Deco & the Changing Face of Estonian Modernism

Eduard Ole’s long career moved through nearly every major transformation experienced by Estonian art in the 20th century. In the 1920s, he helped introduce the sharp geometry and experimental spirit of European Cubism to the newly independent country. A few years later, his paintings softened into the elegant figures, subdued colors, and streamlined sophistication associated …

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Manuel de Falla: Flamenco, Modernism & the Sound of Spain

Few composers could suggest an entire landscape with as little musical material as Manuel de Falla. A distant rhythm, a repeated piano figure, the snap of percussion, a melody bending unexpectedly around a note, or a brief flash of orchestral color can suddenly evoke a garden at night, a flamenco dancer, an Andalusian village, or …

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