Roland L. Freeman: From the Lens to History Books

Cigar Box Fiddler Scott Dunbar, Mississippi, 1975 | Roland L. Freeman, UNC

Born on this day July 27, 1936 in Baltimore, Maryland, Roland L. Freeman’s journey as a photographer began in the tumultuous era of the Civil Rights Movement. He started his career as a freelance photographer, capturing powerful images that bore testimony to the socio-political landscape of the era. His keen eye for detail and a profound understanding of the human condition made him a unique storyteller, whose tales were told through the lens of his camera.

400 Block of East Lorraine Avenue. East Baltimore, Maryland, September 1972. | Roland L. Freeman

Freeman’s work transcended the mere act of taking pictures; he was a cultural anthropologist who used his camera as a tool for social commentary. His most notable work is perhaps his documentation of the African American experience, both in urban settings and in rural communities. Through projects such as The Mule Train: A Journey of Hope Remembered and Southern Roads/City Pavements: Photographs of Black Americans, Freeman was able to shed light on aspects of African American life that were often overlooked or misunderstood.

Bikers Take a Break. Sunday Afternoon in Druid Hill Park, Baltimore, Maryland, September 1973, from the series Southern Roads/​City Pavements | Roland L. Freeman, SAAM

Beyond his work as a photographer, Roland L. Freeman was an educator and a historian, committed to preserving and sharing the diverse narratives of African American history. His photographs have been exhibited in numerous museums and galleries around the world, from the Smithsonian Institution to the Museum of Modern Art in New York, testifying to his significant contribution to the field of photography and history.

Wednesday Night Quilting Sisters of Detroit. Wayne County, Michigan, October 1986 | Roland L. Freeman, UNC

Roland L. Freeman’s life and works offer an insightful perspective into the African American experience. His photographic narratives not only record history but also provoke thought and dialogue about culture, identity, and race. His contribution extends beyond being just a photographer; he is a historian who has effectively used his lens to write pages into history books.

Curated by Jennifer