Comet Atomic

Author's posts

Chavela Vargas: The Voice That Broke the Rules

Chavela Vargas did not need a mariachi orchestra to make a ranchera sound enormous. Often accompanied by little more than guitars, she could slow a familiar song until every word seemed to carry the weight of a lifetime. Her voice was rough, intimate, wounded, defiant, and unmistakably her own. Songs about abandonment, desire, loneliness, drinking, …

Continue reading

Martin Denny: The Sound of Exotica

Bird calls, croaking frogs, shimmering vibraphones, bongos, gongs, piano, and mysterious percussion from around the world: few musicians captured the fantasy of mid-century tropical escapism quite like Martin Denny. Born in New York City on April 10, 1911, Denny became the musician most closely associated with exotica, the curious and enormously atmospheric style of instrumental …

Continue reading

Jean-Paul Belmondo: New Wave Rebel & Action Hero

Jean-Paul Belmondo did not look like the polished movie star French cinema was supposed to produce. His nose had been broken during his years as a boxer. His smile could turn from charming to mischievous in an instant. He slouched, smoked, joked, ran through streets, climbed buildings, threw punches, flirted with danger, and seemed permanently …

Continue reading

Richard Neutra: Glass, Steel & California Modernism

Richard Neutra helped create one of the defining images of modern California: a low horizontal house of glass and steel, apparently floating between a swimming pool, a garden, and an enormous landscape beyond. Born in Vienna on April 8, 1892, Neutra carried the radical ideas of European modernism to Southern California, where sunlight, hillsides, desert …

Continue reading

Billie Holiday: Lady Day & the Art of Jazz Singing

Billie Holiday did not possess the biggest voice in jazz, and she never needed one. What made Holiday extraordinary was what she did with a song once it reached her. She stretched phrases, delayed words until just behind the beat, altered melodies, softened notes almost into conversation, and found emotions in familiar lyrics that other …

Continue reading

Andrei Tarkovsky: Sculpting Time Through Cinema

Rain falls across an empty landscape. Water drips through the ruins of a building. Wind moves suddenly through a field of grass. A horse wanders into view. Fire burns slowly while someone watches in silence. A childhood memory appears without warning and then disappears again. In the films of Andrei Tarkovsky, moments like these can …

Continue reading

Serge Gainsbourg: Chanson, Pop & Provocation

Serge Gainsbourg spent much of his career changing shape. He began with smoky jazz-influenced chanson, wrote sophisticated pop songs for some of France’s most famous singers, embraced British rock and psychedelia, constructed ambitious concept albums, traveled to Jamaica to record reggae, experimented with funk in New York, composed music for films, acted, directed, painted, wrote, …

Continue reading

Jules Pascin: The Prince of Montparnasse

Jules Pascin seemed almost designed for the mythology of bohemian Paris. He traveled constantly, drew obsessively, surrounded himself with artists, writers, models, and outsiders, threw famously lively parties, and became so closely identified with the cafés and studios of Montparnasse that he earned the nickname “Prince of Montparnasse.” Yet the legend can easily overshadow the …

Continue reading

Marc Davis: From Disney Animation to Imagineering

Marc Davis could draw a deer convincingly enough to make audiences believe it was alive, give Tinker Bell an entire personality without a line of dialogue, turn Cruella de Vil into one of animation’s most unforgettable villains, and then leave feature animation behind to help design pirates, ghosts, jungle explorers, singing bears, and some of …

Continue reading

Astrud Gilberto: The Voice of Bossa Nova

Astrud Gilberto never intended to become one of the defining voices of bossa nova. She had no established recording career when she stepped up to a microphone in New York in 1963 and sang a few lines in English for a song called “The Girl from Ipanema.” Her delivery was quiet, direct, almost conversational. There …

Continue reading